Banjo Bridges by Bart

banjos love them and so will your ears

NEW FOR 2008

Introducing Archie: a lean and mean Premium bridge designed especially for archtop banjos. Don't let the looks of this super thin bridge fool you, its performance will make you rethink what you thought you knew about bridges. Compressed sustain allows a musician to exploit the full range of sound dynamics from raw power growl to melodious sweetness that Archie liberates from your banjo. Although too bright to some ears, Archie can sure make flat tops stand out from the crowd as well. Made from genuine Firewood.

$30

Please note: Archies are thin, real thin - you need to loosen, or slack off, the strings and/or tail piece tension before installing them.

Introducing Radiused bridges: both bridge wood and top are radiused for supurb sound, tone and stunning looks. The radius (12, 14, 16 or 18 inch) is a $10 upgrade option for any of the bridges I make. Of course, you still get to specify height and string spacing.

As shown: standard 3 footed bridge + radius = $35

The Main Menu

1 - Mystery wood, ebony - explosive sound, fabulous for 100 mph bluegrass picking. Ideal for any picking style. If you want to sound as Earl, or as Don, you can get, this is the bridge for you.

$25

2 - Same as above, no topping. A smidgen mellower sound, awesome for clawhammer or all out "pre-war" on Mastertone style banjos. Wildwood banjos, or anything with Fyberkin/Elite heads love this one in B weight. The B weight one is also *the* bridge for Odes.

$25

3 - Teak - great volume and superb dynamic range, ebony topped for great clarity, mystery topped for max brightness. Especially suitable for budget or medium price banjos (not recommended for Stellings).

$25

4 - Enigma (another mystery wood), ebony topped - clear, bright and neutral sounding, superb volume. The Enigma bridges get along great with EQ settings on sound systems - Stellings absolutely love them.

$25

5 - Double mystery, don't let the only-two legs bother you, a super sounding all-purpose bridge at a budget price. Two legs only have to advantage of muting the banjo head in two spots only compared to the "regular" three spots allowing the head to vibrate more freely.

$15

6 - Premium bridge: ebony topped teak for a plectrum (4 string) banjo. Custom designed for Joe C. in Texas who had special requirements to accommodate his Celtic style playing.

$25

7 - Period bridge for tenor banjo, custom slotting available for Celtic setup string specs.

$25

8 - The finest custom clawhammer bridge anywhere, untopped mystery wood for a superb tone range from plunk to clear as a bell. The raised 5th string (specify 1/16, or 1/8") helps prevent your thumb from making that annoying pffft pffft sound on the head - a low cost alternative to scooping the neck... This particular one was custom made for a Chanterelle (3/4" tall + 1/8" for the bump).

$35

9A - Two custom compensated (mystery/ebony) bridges to illustrate the different shape curves you could expect. On this picture, despite the extreme compensation values, the difference is barely noticeable but check the top view on the next picture to get a better idea.

This is really what custom compensation is, or should be, all about. If you want to make your intonation problem(s) really go away then this is the way to go, your banjo and your ears will definitely appreciate it.

Custom compensated bridge: $40

9B - The same two bridges: the sweetspot offsets for the bottom one are much greater than the top one. Actually, the offset values for the top one are about as severe as I've encountered and it goes to show you that it won't look weird. The offset measurements for strings 1 through 5:
top: 0, 3, 5, 2, 0 mm (B weight)
bottom: 0, 5, 7, 4, 0 mm (A weight)

Custom compensated bridge: $40

Specialty Bridges and "museum pieces"

10 - A custom order for a period bridge to go on a 1846 Boucher banjo that's being restored. The dimensions were traced from the one on display in the Smithsonian.

12 - Radiused, ebony topped mystery wood. Talk about a custom job, the topping was even steambent to the required loopy radius shape for the best possible sound.

13 - A museum piece: one of my earlier custom compensated solid maple jobies for an Ode D. I sure make 'em look nicer than this now

14 - My first ever custom comp, definitely a personal museum piece, for a British Windsor Standard. Looked like heck but sure did the job and turned an ornament into a playable banjo. Only 3/8" tall and realistically, that's about as low as I care to make them although I did 1/4" bridge one time.

Looking at the picture now I can still smell it - at the time the only tool I had for shaping was a bench grinder...

The thing to keep in mind, no matter what new bridge you put on, the sound will always be different than what it was with your old bridge - you'll be real pleased to hear what these bridges will do for your banjo's sound.

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